Diferencia entre revisiones de «Capricho (música)»

{{otros usos|Capricho}}

 

<!-- The term has been applied to a variety of works: in the [[Baroque music|Baroque]] era it was often used for short [[keyboard instrument|keyboard]] pieces (for example, by [[Girolamo Frescobaldi]], and [[Johann Sebastian Bach|J.S. Bach]] concluded his C minor keyboard [[Partitas for keyboard (825–830)|Partita]] BWV 826 with a [http://www.pianopedia.com/mov390_1293.aspx Capriccio] which, despite its title, is a densely [[contrapuntal]] piece carefully and methodically exploiting its lively, almost humorous, [[subject]]). [[Niccolò Paganini]] used it for a set of [[Paganini Caprices|twenty-four virtuoso solo violin works]], [[Luigi Legnani]] used it for a set of thirty-six virtuoso solo guitar works, and [[Pyotr Ilyich Tchaikovsky]] and [[Nikolai Rimsky-Korsakov]] used it for [[orchestra]]l works (the ''[[Capriccio Italien]]'' and ''[[Capriccio espagnol]]'' respectively). [[Johannes Brahms]] wrote many capricci for piano during the later years of his life, all of which are considered to be among the most unusual and thoughtful pieces of the late [[Romantic music]] era. [[Camille Saint-Saëns]] wrote an [[Introduction and Rondo Capriccioso (Saint-Saens)|Introduction and Rondo Capriccioso]] for violin and orchestra, the solo violin part of which contains concerto-like virtuoso writing. -->