Diferencia entre revisiones de «Okeh Records»

The original [[Mamie Smith]] recording was in 1920, of “Crazy blues.” General Phonograph Corp, OKeH’s manufacturer used Smith’s success as the press to cultivate the new market. Portraits of Smith and lists of her records were used as the advertisements in newspapers including the [[Chicago Defender]], the Atlanta Independent, New York Colored News, and others popular with the African-American community. Okeh had further prominence in the demographic, as African-American artists such as [[Sara Martin]], [[Eva Taylor]], [[Shelton Brooks]], [[Esther Bigeou]], and Handy’s Orchestra recorded exclusively for the label. The success of these “Race Recordings” led OKeh to start recording where the music was actually being performed, known as “remote” or “location” recording.<ref>{{cite book | last = Laird | first = Ross | authorlink = | coauthors = Brian Rust | title = Discography or OKeh Records, 1918–1934 | publisher = Praeger Publishing | date = 2004-07-30 de julio de 2004 | location = Westport, Connecticut | pages = | url = | doi = | id = | isbn = 978-0313311420 }}</ref>