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=== Cine ===
La industria cinematográfica tuvo mucha actividad en la RDA. La productora hegemónica fue la DEFA (avebriatrura de ''Deutsche Film AG''), que estaba subdividida en diferentes grupos de producción como por ejemplo el ''Gruppe Berlin'', ''Gruppe [[Babelsberg]]'' o ''Gruppe [[Johannisthal]]''. En estos grupos locales se filmaban y producian películas. Además de los films comerciales, la industria audiovisual llegó a ser conocida mundialmente por otras producciones, especialmente las películas para niños (''Das kalte Herz'', películas que versionaban a los [[Hermanos Grim]], cuentos y producciones modernas como ''Das Schulgespenst'').
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In the GDR, the movie industry was very active. The head-group for film-productions was the [[DEFA]]<ref>[http://www.defa-stiftung.de DEFA - Stiftung - Home<!--Bot-generated title-->]</ref>, ''Deutsche Film AG'', which was subdivided in different local groups, for example ''Gruppe Berlin'', ''Gruppe [[Babelsberg]]'' or ''Gruppe [[Johannisthal]]'', where the local teams shot and produced films. Besides folksy movies, the movie-industry became known worldwide for its productions, especially children's movies ("[[Das kalte Herz]]", film versions of the [[Brothers Grimm]] fairy-tales and modern productions such as "[[Das Schulgespenst]]").
[[Frank Beyer]]'s "[[Jacob the Liar|Jakob der Lügner]]" (Jacob the Liar; about persecution of Jews in Third Reich) and, "[[Fünf Patronenhülsen]]"(Five Bullet Shells) about resistance against fascism, became internationally famous.
Movies about problems of everyday life such as "[[The Legend of Paul and Paula|Die Legende von Paul und Paula]]" (directed by [[Heiner Carow]]) and "[[Solo Sunny]]" (directed by [[Konrad Wolf]] and [[Wolfgang Kohlhaase]]) were also very popular.
The film industry was remarkable for its production of ''[[Ostern]]'', or Western-like movies. [[Native Americans in the United States|Indians]] in these films often took the role of displaced people who fight for their rights, in contrast to the [[Western (genre)|American westerns]] of the time, where Indians were often either not mentioned at all or are portrayed as the villains. [[Yugoslavia]]ns were often cast as the Indians, due to the small number of American Indians in eastern Europe. [[Gojko Mitic|Gojko Mitić]] was well-known in these roles, often playing the righteous, kindhearted and charming [[Tribal chief|chief]] ("[[The Sons of the Great Mother Bear|Die Söhne der großen Bärin]]" directed by [[Josef Mach]]). He became an honorary [[Sioux]] chief when he visited the [[United States of America]] in the 90s and the television crew accompanying him showed the tribe one of his movies. American actor and singer [[Dean Reed]], an expatriate who lived in East Germany, also starred in several films. These films were part of the phenomenon of Europe producing alternative films about the colonization of America. ''See also [[Spaghetti Western]] and the West German [[Winnetou]] films (adaptations of novels of [[Karl May]]).''
Because of censorship a certain number of very remarkable movies were forbidden at this time and reissued after the [[Wende]] in 1990. Examples are "[[Traces of Stones|Spur der Steine]]" (directed by [[Frank Beyer]]) and "[[Der geteilte Himmel]]" (directed by [[Konrad Wolf]]).
Cinemas in the GDR also showed foreign films. Czechoslovak and Polish productions were more common, but also certain western movies were shown, but the numbers were limited because it cost foreign exchange to buy the licences. Further, movies representing or glorifying capitalistic ideology were not bought. Comedies enjoyed great popularity, such as the Danish "[[Olsen Gang]]" or movies with the French comedian [[Louis de Funès]].
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=== Deportes ===
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