Anexo:Misas, pasiones, oratorios y magníficat de Johann Sebastian Bach
(Redirigido desde «Anexo:Misas, Pasiones, Oratorios y Magnificat de Johann Sebastian Bach»)
Las Misas, Pasiones, Oratorios y Magnificat son el tema de la segunda serie de Neue Bach-Ausgabe (NBA, Edición de Bach Nueva),[1] una publicación de la música de Johann Sebastian Bach de 1954 a 2007. En Bach-Werke-Verzeichnis (BWV, catálogo de las composiciones de Bach), las Misas, Movimientos de Misas, Magnificat, Pasiones y Oratorios son referidos en dos capítulos.
- Capítulo 3: Messen, Messensätze, Magnificat - rango: BWV 232–243
- Capítulo 4: Passionen, Oratorien - rango: BWV 244–249
Misas, Movimientos de Misas y Magnificat editar
Misa con todas las secciones usuales editar
- BWV 232 – Mass in B minor
Misas Kyrie–Gloria editar
- BWV 232I, early version – Missa in B minor para la corte de the Dresde court (1733), re-usada como parte I de la Misa en B menor
- BWV 233 – Missa in F major
- BWV 234 – Missa in A major
- BWV 235 – Missa in G minor
- BWV 236 – Missa in G major
Cantata basada en BWV 232I editar
- BWV 191 – Cantata Gloria in excelsis Deo
Movimientos de Misa separados editar
- BWV 232II, early version – Credo in G major (1748–49?)
- BWV 232III, early version – Sanctus for six vocal parts (1724)
- BWV 233a – Plantilla:Illm (early version of Kyrie from BWV 233)
- BWV 237 – Sanctus in C major
- BWV 238 – Sanctus in D major
- BWV 239 – Sanctus in D minor (doubtful)
- BWV 240 – Sanctus in G major
- BWV 241 – Sanctus in D major (arrangement of Sanctus from Johann Caspar Kerll's Missa superba)
- BWV 242 – Christe eleison in G minor (composed by Bach for a mass by Francesco Durante, BWW Anh. 26)[2]
Magnificat en latín editar
- BWV 243 – Magnificat in D major
- BWV 243a – Magnificat in E-flat major, early version of BWV 243, containing four Latin and German interpolations related to Christmas
Magnificat cantatas en alemán editar
- BWV 10 – Meine Seel erhebt den Herren (German Magnificat)
- BWV 189 – Meine Seele rühmt und preist on a German paraphrase of the Magnificat text, attributed to Melchior Hoffmann.[3][4]
- BWV Anh. 21 – Meine Seel erhebt den Herren (Kleine Magnificat), by Melchior Hoffmann.[5][6][7]
Otros editar
- BWV 1081 – Credo intonation in F major for a Mass by Giovanni Battista Bassani, BDW Plantilla:BDW
- BWV 1082 – Bach's copy of the Suscepit Israel of Antonio Caldara's Magnificat in C major.[8]
- BWV 1083 – Tilge, Höchster, meine Sünden, Bach's adaptation of Pergolesi's Stabat Mater
- BWV Anh. 24 – Kyrie and Gloria in A minor from "Missa Sancti Lamberti" by Johann Christoph Pez; Bach copied its Kyrie in Weimar, adding a line different from the original continuo; Its Gloria was copied without modification in Leipzig.[9]
- BWV Anh. 25 – Kyrie–Gloria Mass in C major[8] (sometimes attributed to Johann Ludwig Bach,[10] copied & performed by J. S. Bach c.1740-1742).
- BWV Anh. 26 –
- «Mass in C minor» en el Proyecto Biblioteca Internacional de Partituras Musicales (IMSLP). (by Francesco Durante; see above Christe eleison in G minor, BWV 242)
- BWV Anh. 27 – Sanctus in F major by Johann Ludwig Krebs.[8]
- BWV Anh. 28 – Sanctus in B major[8] (composer unknown).
- BWV Anh. 29 – continuo part for a Mass in C minor[11]
- BWV Anh. 30 – Magnificat in C major for SSAATTBB choir and orchestra attributed to Antonio Lotti, and later to Pietro Torri (copied by Bach around 1742)[12][13]
- BWV Anh. 166 – Missa super cantilena "Allein Gott in der Höh sei Ehr": Kyrie–Gloria Mass in E minor composed in 1716 by Johann Ludwig Bach,[14] previously attributed to Johann Nicolaus Bach,[15] with part scores written out by J. S. Bach and others for performance in 1729, and a small addition (5 bars) by J. S. Bach at the beginning of the Gloria.[16][14] The text of the Gloria is partly in German: it intersperses the Latin text of the Gloria with, as cantus firmus, all four stanzas of "Allein Gott in der Höh sei Ehr" (which is itself a paraphrase of the Gloria), a Lutheran hymn by Nicolaus Decius and Joachim Slüter.[14]
- BWV Anh. 167 – Kyrie–Gloria Mass in G major for double SATB choir and orchestra, possibly by Johann Ludwig Bach or Antonio Lotti.[17][8] One of its 18th-century manuscript copies is partially in J. S. Bach's handwriting.[18] Published and performed as J. S. Bach's in 1805.[19]
- BWV Anh. 168 – Kyrie (and German Gloria) composed by Wilhelm Friedemann Bach, BDW Plantilla:BDW
- BWV deest – Bach's transposition from D minor to E minor and colla parte orchestration for the first two movements of Palestrina's Missa Sine nomine a 6, to be performed in Leipzig in the early 1740s as a Kyrie–Gloria Mass for SSATTB choir, and an orchestra consisting of cornets, trombones and continuo.[20][21][8]
Referencias editar
- ↑ The New Bach Edition, Series II: Masses, Passions, Oratorios at the Bärenreiter website
- ↑ Boyd, Malcolm (1999). Oxford Composer Companions: J.S. Bach. Oxford, England: Oxford University Press. p. 299. ISBN 0-19-866208-4.
- ↑ Cantata BWV 189 Meine Seele ruhmt und preist at www.bach-cantatas.com
- ↑ Georg Melchior Hoffmann: Meine Seele rühmt und preist at www.carus-verlag.com
- ↑ Spitta 1884, p. 374 ff.
- ↑ Frederick Hudson and Alfred Dürr. "An Investigation into the Authenticity of Bach's ‘Kleine Magnificat’" in Music and Letters XXXVI (3), 1955 – pp. 233-236
- ↑ Andreas Glöckner. "Die Leipziger Neukirchenmusik und das 'Kleine Magnificat' BWV Anh. 21" in Bach-Jahrbuch 1982, pp. 97-102
- ↑ a b c d e f Kirsten Beißwenger (ed.) Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen (Volume 9 of Series II: Masses, Passions, Oratorios from the New Bach Edition). Bärenreiter, 2000.
- ↑ Mass, a BWV Anh. 24 / Anh. III 167‑>; BNB I/P/6 at www.bach-digital.de
- ↑ Missa (Kyrie and Gloria), C BWV Anh. 25; BNB I/An/1 at www.bachdigital.de
- ↑ Mass, c BWV Anh. 29; BNB I/An/2 at www.bach-digital.de
- ↑ Magnificat in C BWV Anh. 30; BNB I/An/7 at www.bach-digital.de
- ↑ Magnificat in C major BWV Anh 30 at www.bach-cantatas.com
- ↑ a b c Mass in E minor, BWV Anh 166 at www.bach-cantatas.com
- ↑ Geiringer, Karl and Irene. The Bach Family: Seven Generations of Creative Genius, footnote p. 117. New York: Oxford University Press, 1954.
- ↑ Missa (Kyrie and Gloria), e JLB 38; BWV Anh. 166; BNB I/B/18 at www.bachdigital.de
- ↑ Missa, G BWV Anh. 167; BNB I/An/3 at www.bach-digital.de
- ↑ D-B Mus. ms. Bach P 659 at www.bach-digital.de
- ↑ Alfred Dörffel. "Statistik der Concerte im Saale des Gewandhauses zu Leipzig" p. 3, in Geschichte der Gewandhausconcerte zu Leipzig vom 25. November 1781 bis 25. November 1881: Im Auftrage der Concert-Direction verfasst. Leipzig, 1884.
- ↑ Giovanni Pierluigi da Palestrina Missa sine nomine a 6 at www.bach-cantatas.com
- ↑ Missa sine nomine (arr. of Kyrie and Gloria, copy of the following movements) at www.bach-digital.de