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=== Bibliografía ===
* Greene, Gordon K.: [https://books.google.es/books?id=3RomOwAACAAJ ''The Secular Music of Chantilly Manuscript Musée Condé 564 (olim 1047)'']. Indiana University, 1971
* Günther, Ursula: [https://www.jstor.org/stable/930376?seq=1 «Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047»]. ''Archiv für Musikwissenschaft, 17''. (1960, pp.): 277-297.
: Ursula Günther analiza los italianismos en los textos franceses del manuscrito de Chantilly y el Codex Reina, considera que es la misma mano que escribió estas secciones de los dos manuscritos.
* Günther, Ursula (ed.): [https://books.google.es/books?id=DqF0vgAACAAJ ''The Motets of the Manuscripts Chantilly, Musée condé, 564 (olim 1047) and Modena, Biblioteca Estense, a. M. 5, 24 (olim lat. 568)'']. Corpus mensurabilis musicae, 39. [n.p.]: American Institute of Musicology, 1965.
* Günther, Ursula: [https://www.jstor.org/stable/pdf/20532271.pdf?seq=1 «Unusual Phenomena in the Transmission of Late Fourteenth-14th Century Polyphonic Music»]. ''Musica disciplina, 38'' (1984): 87-118.
* Haggh, Barbara: [https://www.jstor.org/stable/3519247?seq=1 «Contemplating the Chantilly Codex»]. ''Early Music, 30, 2'' (mayo 2002): 264-269.
* [[Hoppin, Richard]]: H.[https://books.google.es/books?id=1yBwQgAACAAJ ''Medieval Music'']. TheW. W. Norton, Introduction to Music History1978. New York[https: W//books.Wgoogle.es/books?id=WUiBNgjvsWYC Norton,''La 1978música medieval'']. ISBNAkal, 0-393-09090-62000.
* Plumley, Yolanda: [https://www.jstor.org/stable/3874749?seq=1 «An 'Episode in the South'? Ars Subtilior and the Patronage of French Princes»]. ''Early Music History: Studies in Medieval and Early Modern Music'', 22'' (2003): 103–68103-168. ▼
* Kloster Neustift/Novacella, 1982. Musik im kirchlichen, höfischen und städtischen Leben vom 13. bis 15. Jahrhundert
* Upton, Elizabeth Randell: [https://books.google.es/books?id=DR9UngEACAAJ «The Chantilly Codex ('F-CH' 564): The Manuscript, Its Music, Its Scholarly Reception»]. PhD diss. Chapel Hill: University of North Carolina, 2001.
▲* Plumley, Yolanda: [https://www.jstor.org/stable/3874749?seq=1 «An 'Episode in the South'? Ars Subtilior and the Patronage of French Princes»]. ''Early Music History: Studies in Medieval and Early Modern Music'' 22 (2003): 103–68.
* Upton, Elizabeth Randell: [https://www.academia.edu/5090755/The_Creation_of_the_Chantilly_Codex_Ms._564_ «The Creation of the Chantilly Codex ('F-CH'Ms. 564):»]. The Manuscript,''Studi Itsmusicali MusicIII, Its2'' Scholarly Reception». PhD diss. Chapel Hill(2012): University of North Carolina, 2001287-352.
* Upton, Elizabeth Randell: [https://www.academia.edu/5090755/The_Creation_of_the_Chantilly_Codex_Ms._564_ «The Creation of the Chantilly Codex (Ms. 564)»]. ''Studi musicali III, 2''. Accademia Nazionale di Santa Cecilia, 2012 (ISBN 978-88-95341-49-1), pp. 287-352.
 
=== Discografía ===
Obtenido de «https://es.wikipedia.org/wiki/Codex_de_Chantilly»